Howard Hawks directs Cary Grant and Rosalind Russell in this screwball comedy which is, in fact, a remake of the 1931 film, The Front Page. Rapid-fire wit and extremely fast pace dialogue make this version shine.

Romance and suspense in Paris, as a woman is pursued by several men who want a fortune her murdered husband had stolen. Who can she trust?

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

A drama critic learns on his wedding day that his beloved maiden aunts are homicidal maniacs, and that insanity runs in his family.

A bored millionaire wagers his doctor that he can support himself at a working class job for year without touching his inheritance.

A shy young English woman marries a charming gentleman, then begins to suspect him of trying to kill her.

David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

As Julie prepares to leave her husband Roger, she begins to play through a stack of recordings, each of which reminds her of events in their lives together. One of them is the song that was playing when she and Roger first met in a music store. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows that they have shared. A flood of memories comes back to her as she ponders their present problems and how they arose. Cary Grant and Irene Dunne star.

Cary Grant, Deborah Kerr Robert Mitchum star in this 1961 comedy. Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.

This interesting documentary that TMC produced, under the direction of Robert Trachtenberg, is about as close we get to the myth that was Cary Grant. The film is helped a great deal by the elegant style in which the narrators, Helen Mirren and Jeremy Northam tell us about this man.

Nothing is spared. There are things in the documentary that other producers would have stayed away from, like Cary Grant's use of the drug LSD and his possible gay life. In a way, the only thing that makes a stronger statement about Mr. Grant being gay is the declaration of his former wife, actress Betsy Drake, about the star's sexual prowess. If Mr. Grant was so good in bed with her, why bother to tell us?

Mr. Grant was a luminous presence on the screen. He had such elegance, such sophistication that he was a natural for the medium. We made him an idol and he gave us back films that will live forever. This film is a perfect tribute to a man that endeared himself to all that ever went to see a Cary Grant film.

Philadelphia heiress Tracy Lord throws out her playboy husband C.K. Dexter Haven shortly after their marriage. Two years later, Tracy is about to marry respectable George Kittredge whilst Dexter has been working for "Spy" magazine. Dexter arrives at the Lord's mansion the day before the wedding with writer Mike Connor and photographer Liz Imbrie, determined to spoil things.

A series of ingenious jewelry robberies takes place on the French Riviera. The police suspect John Robbie - an expert thief who was known as "The Cat" before he retired from crime. Robbie enlists the help of an insurance man to guess where the real thief will strike next. He befriends wealthy widow Jessie Stevens and her attractive daughter Frances.