Lars is the McCartney of Metallica, but worse. you only have to look at his dad to see where ee gets it from. The guy is like a mummy from the tomb of Ahken-Ra.
I enjoyed this more than I thuoght I would - it can be tough getting on with band personnel behind the scenes I reckon - but I think they had to invent a reason for Hetfield to storm out half way through - like a plot point - where would he have gone if not to rehab....and Lars - the agony of wondering how much he'dget for his paintings at auction - fuckin' Rark!
Kirk should have said something like 'James you stormed out you don't have to go to rehab'.
I think Mustaine had a point - he was still pissed at being kicked out - in fact, apart from The producer and their guru guy - who was funny because he kept suggesting that they still needed him around at $40 000 a month or something - everyone else seemed pissed off at them.
the ideal ending would have been if Hetfield had left for good...sreioulsy though - there was a twinge of excitementwhen they went on stage for st anger - you were left feeling you had been through the mill to a certain extent.
'fuck!...fuck!' - there I said it